sexta-feira, 18 de outubro de 2013

Books by Chuck Palahniuk

Books by Chuck Palahniuk

Invisible Monsters
Meet the protagonist of this high stakes tale of a high fashion model. She’s got everything: a great career, a boyfriend, a loyal best friend. But a terrible accident leaves this beauty a hideous monster with only half a face! In fact, no one will even acknowledge she’s alive until she meets Brandy Alexander, Queen Supreme, who’s one operation away from being a woman. She teaches her how to reinvent herself into something better and how to get revenge on her two-timing ex-boyfriend and back-stabbing best friend in Chuck Palahniuk’s Invisible Monsters.


Fight Club

The first rule about fight club is you don't talk about fight club. Chuck Palahniuk's outrageous and startling debut novel that exploded American literature and spawned a movement. Every weekend, in the basements and parking lots of bars across the country, young men with white-collar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.

We can more or less deduce the following of the main protagonist in Choke; Victor Mancini is a ruthless con artist. Victor Mancini is a medical school dropout who's taken a job playing an Irish indentured servant in a colonial-era theme park in order to help care for his Alzehimer's-afflicted mother. Victor Mancini is a sex addict. Victor Mancini is a direct descendant of ...moreWe can more or less deduce the following of the main protagonist in Choke; Victor Mancini is a ruthless con artist. Victor Mancini is a medical school dropout who's taken a job playing an Irish indentured servant in a colonial-era theme park in order to help care for his Alzehimer's-afflicted mother. Victor Mancini is a sex addict. Victor Mancini is a direct descendant of Jesus Christ. Welcome, once again, to the world of Chuck Palahniuk.
"Art never comes from happiness" says Mancini's mother only a few pages into the novel. Given her own dicey and melodramatic style of parenting, you would think that her son's life would be chock full of nothing but art. Alas, that's not the case--in the fine tradition of Oedipus, Stephen Dedalus and Anthony Soprano, Victor hasn't quite reconciled his issues with his mother. Instead, he's trawling sexual-addiction recovery meetings for dates and purposely choking in restaurants for a few moments of attention. Longing for a hug, in other words, he's settling for the Heimlich.
Thematically, this is pretty familiar Palanhiuk territory. It would be a pity to disclose the surprises of the plot but suffice to say that what we have here is a little bit of Tom Robbins's Another Roadside Attraction, a little bit of Don DeLillo's The Day Room and, well, a little bit of Fight Club. Just as with that book and the other two novels under Palahniuk's belt, we get a smattering of gloriously unflinching sound bites, such as this sceptical slight on prayer chains: "A spiritual pyramid scheme. As if you can gang up on God. Bully him around."
Whether this is the novel that will break Palanhiuk into the mainstream is hard to say. For a fourth book, in fact, the ratio of iffy, "dude"-intensive dialogue to interesting and insightful passages is a little higher than we might wish. In the end though, the author's nerve and daring pull the whole thing off--just. And what's next for Victor Mancini's creator? Leave the last word to him, declaring as he does on the final pages: "Maybe it's our job to invent something better ... What it's going to be, I don't know." --Bob Michaels,

Survivor, the second novel by Chuck Palahniuk--whose debut novel The Fight Club was widely received to critical acclaim--is a deranged comedy of nightmares, a groin-kick at Western society's worst excesses. This is satire at its best, and Palahniuk handles it all with a distinct, engaging prose style and with plot devices that keep the pages turning long after your tea break should have finished.
From the very opening of the book Palahniuk lets us know that his narrator, Tender Branson, the last surviving member of a religious death cult, is on a path to self-destruction. The tension in this book lies not in the outcome, because like Tender's soothsaying friend Fertility, we can see it coming 289 pages away, instead it lies in the intricate plot that takes Tender from farm boy to media celebrity and ruin.
This is a novel that examines what happens when religion meets the overindulgences of our consumerist society. In the world that the author envisages, which is all too real in the light of tragedies such as Waco and the Heaven's Gate suicides, the only acceptable religions are those that can be successfully marketed and controlled at a corporate level; the small separatist models of religion are superfluous, and self-destruct. This is also a look at religion itself, at how it can enslave as many people as it appears to liberate. A comic novel that deals with the most serious issues of society, Survivor places Palahniuk among the most daring and technically able writers of his generation.
Adam said the first step most cultures take to making you a slave is to castrate you ... the cultures that don't castrate you to make you a slave, they castrate your mind.
--Iain Robinson


The consequences of media saturation are the basis for an urban nightmare in Lullaby, Chuck Palahniuk's darkly comic and often dazzling thriller. Assigned to write a series of feature articles investigating SIDS, troubled newspaper reporter Carl Streator begins to notice a pattern among the cases he encounters: each child was read the same poem prior to his or her death. His research and a tip from a necrophilic paramedic lead him to Helen Hoover Boyle, a real estate agent who sells "distressed" (demonized) homes, assured of their instant turnover. Boyle and Streator have both lost children to "crib death," and she confirms Streator's suspicions: the poem is an ancient lullaby or "culling song" that is lethal if spoken--or even thought--in a victim's direction. The misanthropic Streator, now armed with a deadly and uncontrollably catchy tune, goes on a minor killing spree until he recognizes his crimes and the song's devastating potential. Lullaby then turns into something of a road trip narrative, with Streator, Boyle, her empty-headed Wiccan secretary Mona, and Mona's vigilante boyfriend Oyster setting out across the U.S. to track down and destroy all copies of the poem.
In his previous works, including the cult favorite Fight Club, Palahniuk has demonstrated a fondness for making statements about the condition of humanity, and he uses Lullaby like a blunt object to repeatedly overstate his generally dim view. Such dogmatic venom undermines the persuasiveness of his thesis about mass communication and free will, but thankfully, Palahniuk offers some respite here by allowing for sympathy and love, as well as through his razor-sharp humor, such as his mock listings for Helen's possessed properties: "six bedrooms, four baths, pine-paneled entryway, and blood running down the kitchen walls...." At such moments, Lullaby casts a powerful spell. --Ross Doll

DIARY takes the form of a "coma diary" kept by one Misty Tracy Wilmot as her husband, Peter, lies senseless in a hospital after a suicide attempt. Once Misty was an art student dreaming of creativity and freedom; now, after her marriage and return to once quaint, now tourist-overrun Waytansea Island, she is just a resort hotel maid. Peter, it turns out, has been scrawling vile messages all over the walls of hidden rooms in houses he has been remodeling—an old habit of builders but dramatically overdone in Peter's case. Angry homeowners are suing left and right, and Misty's dreams of artistic greatness are reduced to ashes. But then, as if possessed by the spirit of Maura Kinkaid, a fabled Waytansea artist of the nineteenth century, Misty begins painting again, compulsively. The canvases are taken away by her mother-in-law and her doctor, who seem to have a plan for Misty—and for all those annoying tourists.
DIARY is a dark, hilarious, and poignant act of storytelling from America's favorite, most inventive nihilist. It is Chuck Palahniuk's finest novel yet.


"Haunted by Chuck Palahniuk is a novel made up of stories: twenty-three of them, to be precise. They are told by people who have answered an ad headlined "Writers' Retreat: Abandon Your Life for Three Months," and who are led to believe that here they will leave behind all the distractions of "real life" that are keeping them from creating the masterpiece that is in them. But "here" turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most important, food are in increasingly short supply. And the more desperate the circumstances become, the more extreme the stories they tell - and the more devious their machinations become to make themselves the hero of the inevitable play/movie/nonfiction blockbuster that will surely be made from their plight." Haunted is on one level satire of reality television - The Real World meets Alive. It draws from a great literary tradition - The Canterbury Tales, The Decameron, the English storytellers in the Villa Diodati who produced, among other works, Frankenstein - to tell an utterly contemporary tale of people desperate that their story be told at any cost.


Rant: An Oral Biography of Buster Casey

Rabies "super-spreader" Buster "Rant" Casey added a whole new dimension to serial killing. After his apparent demise, assorted friends, enemies, and victims reminisced about this short-lived misfit, tracing his bloody path from small-town rebel to big-city mass murderer. Chuck Palahniuk's fictitious oral biography of Casey is set in a preferably unthinkable future where urbanites are designated either Daytimers or Nighttimers and assigned strict curfews. Unfortunately, the demolition derbies that he describes as favorite local entertainments might strike readers as the next logical step in extreme sports and reality TV. Intensely twisted satire.


From Chuck Palahniuk, the master of literary mayhem and provocation, a full-frontal Triple X novel that goes where no American work of fiction has gone before.

About Chuck Palahniuk
Charles Michael "Chuck" Palahniuk is an American Transgressional fiction novelist and freelance journalist of Ukrainian ancestry born in Pasco, Washington. The press release for his book, Rant, states he is now living in Vancouver, Washington. He is best known for the award-winning novel Fight Club, which was later made into a film directed by David Fincher.
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