Lady Gaga
VOGUE - VOGUEPEDIA Personalities
Photograph by Mert Alas and Marcus Piggott. Published in Vogue,
September 2012.
Lady Gaga set the tone
early in her career when she declared her grand ambitions to anyone and
everyone who would listen: “I want to be the biggest pop star in the world,”[1] she told
the producer Vincent Herbert, who signed her to Streamline Records. Her future
manager, Troy Carter, remembers his first meeting with her like this: “She
walked into my office in 2007 wearing fishnet stockings, a leotard, big black
sunglasses, and confidence. Too much confidence. She walked in as a superstar.”[2] Over the
next four years Gaga would have three platinum albums and eleven top-ten
singles—including a trio of number one hits—and few would doubt that she had
achieved her incredible goal.
Lady Gaga’s destiny was apparent from early childhood. As she told Vogue’s Jonathan Van Meter in 2011, “I was a strange, loud little kid who could sit at the piano and kill a Beethoven piece.”[3] That she grew up on Manhattan’s Upper West Side would play a central role in Gaga’s growth as an artist—the make-it-there-make-it-anywhere spirit of the city fanning the flames of her ambition. To get her start on the road to stardom she only had to ride the subway train south: “It was grassroots, downtown New York, blood, sweat, and tears, dancing, music, whiskey, pummeling the streets, playing every venue I could get my hands on. It was the hustle and the grind and the traffic of New York that propelled me to where I am today.”[4]
The grimy clubs and
unconventional population of the Lower East Side also clearly influenced her
subsequent fashion choices, which have tended toward the radical and the
ultra-artsy. As Vogue’s editor in chief Anna Wintour wrote in
the May 2011 issue, Gaga’s style is truly boundary-pushing. Along with her
longtime stylist, Nicola Formichetti, Lady Gaga dreams up outrageous—and sometimes
shocking—outfits, like the “meat dress” she wore to the 2010 MTV Video Music
Awards. Made of pieces of raw flank steak stitched together, it was an
immediate conversation piece that drew the ire of PETA and other animal-rights
groups; it was also later named Time magazine’s top fashion statement of
2010 and became part of the Rock and Roll Hall of Fame’s 2011 exhibit “Women
Who Rock: Vision, Passion, Power.”
It’s in this tradition of clothing as performance art as provocation as
declaration of independence—the outré territory blazed by New York underground
artists like Candy Darling and Leigh Bowery, as well as a legion of wildy
accoutred club kids during the 1980s—that won the heart of the fashion world.
As Van Meter reported in 2011, “Gaga demonstrates a commitment to outrageous
self-presentation that makes every crazy costume worn by Elton or Cher or Madonna look
like child’s play.”[5] Whether
in a rocker-chick Hussein Chalayan black
leather jacket or a Jan Taminiau dress that seems revived from the Gothic
recesses of Victorian England, Lady Gaga remains an astonishing individual. As
the designer Karl Lagerfeld
succinctly declared: “I hate average, and she is anything but average.”[6]
HISTORY
Stefani Joanne Angelina Germanotta born in New York City, to Cynthia and
Joseph Germanotta, a telecommunications executive and an Internet entrepreneur.
Enrolls in Convent of the Sacred Heart, an all-girls Catholic school on
Manhattan’s Upper East Side, where she develops a taste for the spotlight.
“Most of the time I would stay up all night, straightening my hair,” she later
says, “and I would even put my makeup on before bed sometimes, so that when I
woke up in the morning it would be ready for school. I just liked to be
glamorous. It made me feel like a star.”[7] Active
in the school’s musical-theater program, she will have roles in Guys and
Dolls and A Funny Thing Happened on the Way to the Forum.
Enrolls in New York University’s Tisch School of the Arts at seventeen.
She will drop out in her sophomore year to devote herself to her quest for
musical stardom, feeling that, “once you learn how to think about art, you can
teach yourself.”[8]
·
Creates the rock group
SGBand (Stefani Germanotta Band) with former NYU classmates, performing on the
Lower East Side club circuit.
·
Releases her first major
solo studio album, The Fame, spawning hit singles “Just Dance,” “Poker
Face,” and “Paparazzi.” The album will later earn a Grammy nomination for Album
of the Year and win a Grammy for Best Electronic/Dance Album.
·
November: Her second major album, The Fame Monster, released. Its first
single, “Bad Romance,” will climb to number two on the Billboard 100 charts,
and the music video for “Telephone”—a collaboration with R&B superstar
Beyoncé—will become an internet sensation. December: Appears in Vogue
alongside actors Andrew Garfield and model Lily Cole in “Little Girl & Boy
Lost,” an Annie Leibovitz
fairy-tale fashion portfolio styled by creative director Grace Coddington.
·
Performs in a
flesh-colored, crystal-studded catsuit at the Met Costume Institute ball in
celebration of the exhibit “American Woman.” Introducing her, cochair Oprah
Winfrey describes Gaga as “somebody who is saying to the world, ‘Be the best
that you are.’ And so what she represents is the best in all of us, the
identity of the American woman and our ability to be able to look inside of
ourselves and not say, ‘I want to be like you, I want to be like you, I
want to be like you,’ but ‘I want to be more of myself.’ ”[9]
·
March: Appears on the cover of Vogue for the first time, photographed
by Mario Testino in a
cream Haider Ackermann kimono robe and a pastel-pink wig. May: Performs
“Edge of Glory,” “Judas,” and “Born This Way,” on Saturday Night Live’s
season finale. Her third major album, Born This Way, serves up another
hit, and the title song will sell more than eight million digital copies
worldwide by November, earning three Grammy nominations—including her third in
a row for Album of the Year. August: Stuns the crowd at the MTV Video
Music Awards when she appears as male alter-ego Jo Calderone. “Wearing a man’s
Brooks Brothers suit (and prosthetic male genitalia inside trousers), smoking a
cigarette, and guzzling a bottle of beer, she shocked the audience and
instantly made every female star in attendance who had pink hair or wore a
contraption on her head look dated.”[10]
·
Appears on her second cover
of Vogue—September’s 120th anniversary issue—photographed by Mert Alas
and Marcus Piggott, wearing a Marc Jacobs pink
patchwork dress that references Vogue’s first-ever cover in 1892. “I
don’t really make records for people to listen and go, ‘Wow, she’s a genius,’ ”
she tells Jonathan Van Meter. “I’d really like for you to order another drink,
maybe kiss the person who you came with that evening, or rediscover something
about your past that makes you feel more brave.”[11] Launches
her first fragrance, Lady Gaga Fame, with an accompanying ad campaign shot by
Steven Klein (who had previously directed her music video for “Alejandro”).
Typically provocative, the photo features a nude Gaga wearing a black mask with
tiny dark figures—like action toys—covering her private parts.
http://www.vogue.com/voguepedia/Lady_Gaga
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