Freedom
By JONATHAN FRANZEN
(Excerpt)
The news about Walter Berglund wasn't picked up locally-he and Patty had
moved away to Washington two years earlier and meant nothing to St. Paul
now-but the urban gentry of Ramsey Hill were not so loyal to their city as not
to read the New York Times.
According to a long and very unflattering story in the Times, Walter had made
quite a mess of his professional life out there in the nation's capital. His
old neighbors had some difficulty reconciling the quotes about him in the Times ("arrogant,"
"high-handed," "ethically compromised") with the generous,
smiling, red-faced 3M employee they remembered pedaling his commuter bicycle up
Summit Avenue in February snow; it seemed strange that Walter, who was greener
than Greenpeace and whose own roots were rural, should be in trouble now for
conniving with the coal industry and mistreating country people. Then again,
there had always been something not quite right about the Berglunds.
Walter and Patty were the young pioneers of Ramsey Hill - the first
college grads to buy a house on Barrier Street since the old heart of St. Paul
had fallen on hard times three decades earlier. They paid nothing for their
Victorian and then killed themselves for ten years renovating it. Early on,
some very determined person torched their garage and twice broke into their car
before they got the garage rebuilt. Sunburned bikers descended on the vacant
lot across the alley to drink Schlitz and grill knockwurst and rev engines at
small hours until Patty went outside in sweatclothes and said, "Hey, you
guys, you know what?" Patty frightened nobody, but she'd been a standout
athlete in high school and college and possessed a jock sort of fearlessness.
From her first day in the neighborhood, she was helplessly conspicuous. Tall,
ponytailed, absurdly young, pushing a stroller past stripped cars and broken
beer bottles and barfedupon old snow, she might have been carrying all the
hours of her day in the string bags that hung from her stroller. Behind her you
could see the baby-encumbered preparations for a morning of baby-encumbered
errands; ahead of her, an afternoon of public radio, the Silver Palate Cookbook, cloth
diapers, drywall compound, and latex paint; and then Goodnight Moon, then
zinfandel. She was already fully the thing that was just starting to happen to
the rest of the street.
In the earliest years, when you could still drive a Volvo 240 without
feeling self-conscious, the collective task in Ramsey Hill was to relearn
certain life skills that your own parents had fled to the suburbs specifically
to unlearn, like how to interest the local cops in actually doing their job,
and how to protect a bike from a highly motivated thief, and when to bother
rousting a drunk from your lawn furniture, and how to encourage feral cats to
[expletive] in somebody else's children's sandbox, and how to determine whether
a public school sucked too much to bother trying to fix it. There were also
more contemporary questions, like, what about those cloth diapers? Worth the
bother? And was it true that you could still get milk delivered in glass
bottles? Were the Boy Scouts OK politically? Was bulgur really necessary? Where
to recycle batteries? How to respond when a poor person of color accused you of
destroying her neighborhood? Was it true that the glaze of old Fiestaware
contained dangerous amounts of lead? How elaborate did a kitchen water filter
actually need to be? Did your 240 sometimes not go into overdrive when you pushed
the overdrive button? Was it better to offer panhandlers food, or nothing? Was
it possible to raise unprecedentedly confident, happy, brilliant kids while
working full-time? Could coffee beans be ground the night before you used them,
or did this have to be done in the morning? Had anybody in the history of St.
Paul ever had a positive experience with a roofer? What about a good Volvo
mechanic? Did your 240 have that problem with the sticky parking-brake cable?
And that enigmatically labeled dashboard switch that made such a satisfying
Swedish click but seemed not to be connected to anything: what was that?
For all queries, Patty Berglund was a resource, a sunny carrier of
sociocultural pollen, an affable bee. She was one of the few stay-at-home moms
in Ramsey Hill and was famously averse to speaking well of herself or ill of
anybody else. She said she expected to be "beheaded" someday by one
of the windows whose sash chains she'd replaced. Her children were
"probably" dying of trichinosis from pork she'd undercooked. She
wondered if her "addiction" to paint-stripper fumes might be related
to her "never" reading books anymore. She confided that she'd been
"forbidden" to fertilize Walter's flowers after what had happened "last
time." There were people with whom her style of self-deprecation didn't
sit well - who detected a kind of condescension in it, as if Patty, in
exaggerating her own minor defects, were too obviously trying to spare the
feelings of less accomplished homemakers. But most people found her humility
sincere or at least amusing, and it was in any case hard to resist a woman whom
your own children liked so much and who remembered not only their birthdays but
yours, too, and came to your back door with a plate of cookies or a card or
some lilies of the valley in a little thrift-store vase that she told you not
to bother returning.
It was known that Patty had grown up back East, in a suburb of New York
City, and had received one of the first women's full scholarships to play
basketball at Minnesota, where, in her sophomore year, according to a plaque on
the wall of Walter's home office, she'd made second-team all American. One
strange thing about Patty, given her strong family orientation, was that she
had no discernible connection to her roots. Whole seasons passed without her
setting foot outside St. Paul, and it wasn't clear that anybody from the East,
not even her parents, had ever come out to visit. If you inquired point-blank
about the parents, she would answer that the two of them did a lot of good
things for a lot of people, her dad had a law practice in White Plains, her mom
was a politician, yeah, a New York State assemblywoman. Then she would nod
emphatically and say, "Yeah, so, that's what they do," as if the
topic had been exhausted.
A game could be made oftrying to get Patty to agree that somebody's
behavior was "bad." When she was told that Seth and Merrie Paulsen
were throwing a big Halloween party for their twins and had deliberately
invited every child on the block except Connie Monaghan, Patty would only say
that this was very "weird." The next time she saw the Paulsens in the
street, they explained that they had tried all
summer to get Connie
Monaghan's mother, Carol, to stop flicking cigarette butts from her bedroom
window down into their twins' little wading pool. "That is really
weird," Patty agreed, shaking her head, "but, you know, it's not
Connie's fault." The Paulsens, however, refused to be satisfied with
"weird." They wanted sociopathic,
they wanted passive-aggressive,
they wanted bad. They
needed Patty to select one of these epithets and join them in applying it to
Carol Monaghan, but Patty was incapable of going past "weird," and
the Paulsens in turn refused to add Connie to their invite list. Patty was
angry enough about this injustice to take her own kids, plus Connie and a
school friend, out to a pumpkin farm and a hayride on the afternoon of the
party, but the worst she would say aloud about the Paulsens was that their
meanness to a seven-year-old girl was very weird.
Carol Monaghan was the only other mother on Barrier Street who'd been
around as long as Patty. She'd come to Ramsey Hill on what you might call a
patronage-exchange program, having been a secretary to somebody high-level in
Hennepin County who moved her out of his district after he'd made her pregnant.
Keeping the mother of your illegitimate child on your own office payroll: by
the late seventies, there were no longer so many Twin Cities jurisdictions
where this was considered consonant with good government. Carol became one of
those distracted, break-taking clerks at the city license bureau while somebody
equivalently well-connected in St. Paul was hired in reverse across the river.
The rental house on Barrier Street, next door to the Berglunds, had presumably
been included in the deal; otherwise it was hard to see why Carol would have
consented to live in what was then still basically a slum. Once a week, in
summer, an empty-eyed kid in a Parks Department jumpsuit came by at dusk in an
unmarked 4x4 and ran a mower around her lawn, and in winter the same kid
materialized to snow-blow her sidewalk.
By the late eighties, Carol was the only non-gentrifier left on the
block. She smoked Parliaments, bleached her hair, made lurid talons of her
nails, fed her daughter heavily processed foods, and came home very late on
Thursday nights ("That's Mom's night out," she explained, as if every
mom had one), quietly letting herself into the Berglunds' house with the key
they'd given her and collecting the sleeping Connie from the sofa where Patty
had tucked her under blankets. Patty had been implacably generous in offering
to look after Connie while Carol was out working or shopping or doing her
Thursday-night business, and Carol had become dependent on her for a ton of
free babysitting. It couldn't have escaped Patty's attention that Carol repaid
this generosity by ignoring Patty's own daughter, Jessica, and doting
inappropriately on her son, Joey ("How about another smooch from the
lady-killer?"), and standing very close to Walter at neighborhood
functions, in her filmy blouses and her cocktail-waitress heels, praising
Walter's home-improvement prowess and shrieking with laughter at everything he
said; but for many years the worst that Patty would say of Carol was that
single moms had a hard life and if Carol was sometimes weird to her it was
probably just to save her pride.
To Seth Paulsen, who talked about Patty a little too often for his
wife's taste, the Berglunds were the super-guilty sort of liberals who needed
to forgive everybody so their own good fortune could be forgiven; who lacked
the courage of their privilege. One problem with Seth's theory was that the
Berglunds weren't all that privileged; their only known asset was their house,
which they'd rebuilt with their own hands. Another problem, as Merrie Paulsen
pointed out, was that Patty was no great progressive and certainly no feminist
(staying home with her birthday calendar, baking those goddamned birthday
cookies) and seemed altogether allergic to politics. If you mentioned an
election or a candidate to her, you could see her struggling and failing to be
her usual cheerful self-see her becoming agitated and doing too much nodding,
too much yeah-yeahing. Merrie, who was ten years older than Patty and looked
every year of it, had formerly been active with the SDS in Madison and was now
very active in the craze for Beaujolais nouveau. When Seth, at a dinner party,
mentioned Patty for the third or fourth time, Merrie went nouveau red in the
face and declared that there was no larger consciousness, no solidarity, no political substance, no fungible structure, no true communitarianism in Patty
Berglund's supposed neighborliness, it was all just regressive housewifely
[expletive], and, frankly, in Merrie's opinion, if you were to scratch below
the nicey-nice surface you might be surprised to find something rather hard and
selfish and competitive and Reaganite in Patty; it was obvious that the only
things that mattered to her were her children and her house - not her neighbors, not the poor, not her country, not her parents, not even her own husband.
And Patty was undeniably very into her son. Though Jessica was the more
obvious credit to her parents-smitten with books, devoted to wildlife, talented
at flute, stalwart on the soccer field, coveted as a babysitter, not so pretty
as to be morally deformed by it, admired even by Merrie Paulsen - Joey was the
child Patty could not shut up about. In her chuckling, confiding,
self-deprecating way, she spilled out barrel after barrel of unfiltered detail
about her and Walter's difficulties with him. Most of her stories took the form
of complaints, and yet nobody doubted that she adored the boy. She was like a
woman bemoaning her gorgeous jerky boyfriend. As if she were proud of having her
heart trampled by him: as if her openness to this trampling were the main
thing, maybe the only thing, she cared to have the world know about.
"He is being such a little [expletive]," she told the other
mothers during the long winter of the Bedtime Wars, when Joey was asserting his
right to stay awake as late as Patty and Walter did.
"Is it tantrums? Is he crying?" the other mothers asked.
"Are you kidding?" Patty said. "I wish he cried. Crying would be normal, and
it would also stop."
"What's he doing, then?" the mothers asked.
"He's questioning the basis of our authority. We make him turn the
lights out, but his position is that he shouldn't have to go to sleep until we
turn our own lights out, because he's exactly the same as us. And, I swear to
God, it is like clockwork, every fifteen minutes, I swear he's lying there
staring at his alarm clock, every fifteen minutes he calls out, 'Still awake!
I'm still awake!' In this tone of contempt,
or sarcasm, it's weird.
And I'm begging Walter not to take the bait, but, no, it's a quarter of
midnight again, and Walter is standing in the dark in Joey's room and they're
having another argument about the difference between adults and children, and
whether a family is a democracy or a benevolent dictatorship, until finally
it's mewho's having the
meltdown, you know, lying there in bed, whimpering, 'Please stop, please
stop.'''
Merrie Paulsen wasn't entertained by Patty's storytelling. Late in the
evening, loading dinner-party dishes into the dishwasher, she remarked to Seth
that it was hardly surprising that Joey should be confused about the
distinction between children and adults - his own mother seemed to suffer from
some confusion about which of the two she was. Had Seth noticed how, in Patty's
stories, the discipline always came from Walter, as if Patty were just some
feckless bystander whose job was to be cute?
"I wonder if she's actually in love with Walter, or not," Seth
mused optimistically, uncorking a final bottle. "Physically, I mean."
"The subtext is always 'My son is extraordinary,'" Merrie
said. "She's always complaining about the length of his attention
span."
"Well, to be fair," Seth said, "it's in the context of
his stubbornness. His infinite patience in defying Walter's authority."
"Every word she says about him is some kind of backhanded
brag."
"Don't you ever brag?" Seth teased.
"Probably," Merrie said, "but at least I have some
minimal awareness of how I sound to other people. And my sense of self-worth is
not bound up in how extraordinary our kids are."
"You are the perfect mom," Seth teased.
"No, that would be Patty," Merrie said, accepting more wine. "I'm merely very good."
Things came, Patty complained, too easily to Joey. He was goldenhaired
and pretty and seemed innately to possess the answers to every test a school
could give him, as though multiple-choice sequences of As and Bs and Cs and Os
were encoded in his very DNA. He was uncannily at ease with neighbors five
times his age. When his school or his Cub Scout pack forced him to sell candy
bars or raffle tickets door to door, he was frank about the "scam"
that he was running. He perfected a highly annoying smile of condescension when
faced with toys or games that other boys owned but Patty and Walter refused to
buy him. To extinguish this smile, his friends insisted on sharing what they
had, and so he became a crack video gamer even though his parents didn't
believe in video games; he developed an encyclopedic familiarity with the urban
music that his parents were at pains to protect his preteen ears from. He was
no older than eleven or twelve when, at the dinner table, according to Patty,
he accidentally or deliberately called his father "son."
"Oh-ho did that not go over well with Walter," she told the
other mothers.
Excerpted from 'Freedom' by Jonathan Franzen. Published in September
2010 by Farrar, Straus and Giroux, LLC. Copyright © 2010 by Jonathan Franzen.
All rights reserved.
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