Living Under Great Expectations
By Janet Maslin
GREAT
EXPECTATIONS
The Sons and
Daughters of Charles Dickens
By Robert Gottlieb
Illustrated. 239 pages. Farrar, Straus & Giroux. $25.
In “Great Expectations” the illustrious book editor
Robert Gottlieb examines the long shadow cast by Charles Dickens
over the lives of his children. This sketchy group biography could not have a
better title, but Mr. Gottlieb takes an oddly equivocal position toward his
material. On the one hand, the famously unhappy union between Dickens and
Catherine Hogarth — who was cast off bitterly by her husband after she bore 10
children and experienced several miscarriages, all in a period of 15 years —
makes him think of his own parents’ marriage. On the other, he is a father who
identifies with Dickens and can “sympathize to a certain extent with his
frustrations.”
Mr. Gottlieb makes a point of saying that his own
children are perfect. Dickens, likewise, sometimes saw perfection in the little
Dickenses, especially when they were newborns, or when he chose to embellish
entertainingly about them. But as “Great Expectations” repeatedly illustrates,
his exultation faded fast. He claimed to have raised “the largest family ever
known with the smallest disposition to do anything for themselves.” He sat at
the family dinner table and saw in every seat “some horribly well remembered
expression of inadaptability to anything.”
Mr. Gottlieb’s book follows this trajectory of
disappointment, time and again. He devotes two separate sections to each child.
One chapter describes that child’s life with Father, even if very little is
known about the youngest ones’ early years. Another chapter is about what
became of the child after Dickens’s death.
Stories of failure, dissipation and ill health
abound. The tales of Dickens children who lived to ripe old ages and lived
happy, productive lives are rare. How much of this unhappiness was a consequence
of the parents’ disastrous marriage? How burdensome are the expectations placed
on children of a great man? (Dickens barely acknowledged the existence of his
offspring’s mother after he became involved with the actress Ellen Ternan. Taking his lead from Claire Tomalin’s 2011 full Dickens biography, Mr.
Gottlieb believes that Dickens and Ternan may also have had a child.)
Dickens’s children were frequently compared
invidiously with their father. One of them, Henry, who grew up to be a witty
jurist, remembered being told, “I am sorry to see a son of Charles Dickens with
such a small head.” But most of the offspring, “however unfortunate, were far
from disgraceful,” Mr. Gottlieb writes, “and would attract no opprobrium (and
no attention) if they didn’t have the Dickens name attached to them.” Nor would
they warrant the scrutiny of “Great Expectations,” which hazily detects
“something bewildering about them that is not easy to explain.”
Charles Culliford Boz Dickens, the oldest, born in
1837, was relatively lucky. Charley’s famous father attracted the help of a
wealthy patron, Angela Burdett-Coutts, who helped finance the boy’s education.
“His natural talent is quite remarkable,” Dickens
wrote when Charley was 8. Only months later, the father observed of Charley
that “when he is in full school employment, a strange kind of fading comes
over him sometimes.” Later he would say more harshly that Charley had inherited
from his mother “an indescribable lassitude of character” and that “I think he
has less fixed purpose and energy than I could have supposed possible in my
son.”
Charley was sent to Germany — Dickens’s sons were
routinely packed off to faraway places, including India and Australia — and seemed
earmarked for a mercantile career despite a burgeoning talent for journalism.
(How could Dickens fail to notice writing talent, Mr. Gottlieb wonders?) And
after his father’s death, Charley became embroiled in financial feuding with
other family members.
But he would flourish later, write “Dickens’
Dictionary of London” (a “completely appealing” work, in Mr. Gottlieb’s expert
opinion), become an editor and go on tour to deliver readings of “Personal
Reminiscences From My Father.” He had a happy marriage and viable career.
“He just wasn’t his father,” Mr. Gottlieb writes,
getting as close as he can to the heart of the matter. “But then no one else
was either.”
The oldest daughter, Mary Angela Dickens — Mamie —
was a more typical exemplar of the family troubles. Mamie was “the hardest to
grasp, the most contradictory and possibly the least happy.” Her book “Charles
Dickens: By His Eldest Daughter” infuriated her spirited younger sister Kate
(who became a painter) and is deemed “odd” by Mr. Gottlieb for good reason. “It
was still the most beautiful and lovable of all faces in the world,” she wrote
of her father in his final years.
“This is not an objective biographer at work,” Mr.
Gottlieb says, “but a woman in love.”
“Great Expectations” shows how few of the children
had such opportunity to revere their father, or even know him well. He could
best profess paternal affection from afar and preferred distance to close
range. He sent away his young sons with the clear knowledge that he might never
see them again.
“They may have been angered by his cavalier
disposal of them and resentful of his easy domination over them,” Mr. Gottlieb
writes tepidly at his book’s conclusion, “but not only were they fiercely proud
of his accomplishments, they loved him.”
Mr. Gottlieb also finds nothing but “slim pickings”
when he tries to link the indelible children in Dickens’s novels to the more
forgotten figures who really bore the Dickens name.
Charley Dickens said it better. “The children of
his brain,” Charley said of Pip, Oliver Twist, David Copperfield and the rest,
“were much more real to him at times than we were.”
http://www.nytimes.com/2012/12/07/books/robert-gottliebs-book-on-dickens-and-his-children.html?ref=books&pagewanted=print
Nenhum comentário:
Postar um comentário