Harry
Potter and the Deathly Hallows (Harry Potter 7)
by J.K. Rowling
By Mark Flanagan, About.com
Harry Potter and the Deathly Hallows (Harry Potter 7) is more than just
the seventh and final installment in J.K. Rowling's epic wizardry series. It is
the keystone, the culmination of the 4000 or so previous pages. Rowling brings
to Deathly Hallows a fully-realized world, complete with history,
mythology, and a vast web of characters intertwined thoroughly with that
history, that mythology, and with each other.
It is a darker landscape since
Voldemort's return to power and Dumbledore's subsequent demise at the wand of
Severus Snape; many of Voldemort's followers have been released from Azkaban as
have the Dementors, who now serve the Dark Lord's purposes as well. The
Ministry of Magic, now controlled by Death Eaters, has instituted a campaign
against muggle-borns that smacks of Nazi Germany, and Harry Potter is dubbed
"Undesirable Number One," with a 2,000 galleon prize offered for his
capture.
Prior to
all this, at the close of Book 6, Harry Potter and the Half-Blood Prince, Harry was left with a task. Before
being struck down by Snape, Dumbledore had schooled Harry in the matter of
horcruxes, physical objects to which a severed bit of a wizard's soul is attached,
making that wizard immortal. According to Dumbledore, Lord Voldemort, who
desires nothing so much as immortality, had split his soul into seven pieces,
six of which were currently residing in horcruxes hidden throughout the world.
Two of these were already destroyed - Tom Riddle's diary was impaled with a
poisonous basilisk fang in Harry Potter and the Chamber of Secrets (Book 2), and a ring passed down
frrom Marvolo Gaunt, Voldemort's maternal grandfather is destroyed by
Dumbledore in Half-Blood Prince. Dumbledore set Harry upon a quest to
destroy the remaining four of Voldemort's horcruxes, a feat which would then
enable Harry to destroy Voldemort himself. And ultimately, Harry must destroy
or be destroyed by Voldemort.
Deathly
Hallows opens upon
the Order of the Phoenix's plan to move Harry from 4 Privet Drive to a safe
house before the magical protection surrounding his aunt and uncle's home
expires on Harry's seventeenth birthday. The plan to move Harry involves, as
many plans in Book 7 do, the use of polyjuice potion, which allows the drinker
to look like another person. Harry, along with six who volunteer to disguise
themselves as Harry, are individually escorted into the night sky upon brooms,
thestrals, and, in one instance, a flying motorcycle. The ensemble is ambushed
instantly by a host of Death Eaters and He-who-must-not-be-named himself, who
surprises everyone by having acquired the power of flight. Like a pale-skinned
and dark-hearted Superman, Voldemort gives chase through the skies:
"And then Harry saw him.
Voldemort was flying like smoke on the wind, without broomstick or thestral to
hold him, his snakelike face gleaming out of the blackness, his white fingers
raising his wand again --" (p.60)
Harry has also grown older, wiser
since we last saw him. No longer the petulant and angst-ridden teen whose days
were punctuated with dark moods and fights with those closest to him, he has
matured beyond his years and accepts the impossible tasks before him
decisively. The same holds true for Ron and Hermione and as the novel
progresses, we see the relationships between the trio mature and triumph in the
face of great difficulty.
The writing
is fantastic as usual. Rowling strikes a perfect balance in attacking her dark
subject matter in a manner fitting for both the adult and younger reader. Never
once did I feel spoken down to, nor did I come across anything too mature for
my ten-year-old daughter, who was reading the novel concurrently.
I recoil at the thought of further
divulging plot details of this book that held my attention througout its 750
pages of twists, turns, revelations, and surprises. A lot happens. Somebody
gets his ear blown off; somebody gives birth; someone betrays somebody else.
House-elves find themselves involved, as do goblins, and even a dragon.
Characters you'd completely forgotten about show up unexpectedly to play a role
in knotting ends that have long been left loose. As already mentioned, there is
much polyjuice potion drunk, and a good number of patronuses are thrown along
the way (Mr. Weasley's is a weasel).
Harry Potter and the Deathly
Hallows exceeds expectations and is, by a long shot, the best yet of the
series, which has been entirely transfixing, far more so than fans of the
movies might suppose. Those readers who have kept the faith throughout will no
doubt continue on if they haven't already. Those who are looking for added
encouragement to pick up these magical books and forge ahead, find it here.
Harry Potter is a rare treasure and a cultural phenomenon in the midst of which
we can feel fortunate to find ourselves.
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