Salman Rushdie: By the Book
THE NEW YORK TIMES
Sunday Book Review
Credit Illustration by Jillian
Tamaki
The author, most recently, of “Two Years Eight Months and Twenty-Eight Nights” says that more or less everything
by Christopher Hitchens makes him laugh: “The laughter is what I miss most
about the Hitch.”
What books are currently on your night stand?
“Between the World and Me,” by Ta-Nehisi
Coates, which I just finished and which impressed me; “Genghis Khan,” by Jack
Weatherford, which is next up; “The White Album,” by Joan Didion, which is
great to rediscover, and as good as I remembered it being; “The Heart of a
Goof,” by P. G. Wodehouse, which can actually make me care about the game of
golf, at least while reading it; and “Humboldt’s Gift,” by Saul Bellow, which
seems to be on the night stand more or less permanently.
Who is your favorite novelist of all time?
“Of all time” is a long time. There are days
when it’s Kafka, in whose world we all live; others when it’s Dickens, for the
sheer fecundity of his imagination and the beauty of his prose. But it’s
probably Joyce on more days than anyone else.
What genres do you especially enjoy reading?
And which do you avoid?
I don’t really catalog my reading. I usually
just read the books that grab my attention for whatever reason. But there is
one genre I’m diving into right now, for work reasons. I’m reading a lot of
“nonfiction novels” because I’m going to teach them at N.Y.U. So, Mailer’s
“Armies of the Night,” Keneally’s “Schindler’s List,” Capote’s “In Cold Blood,”
and so on.
What genres do I avoid? Um, pornography; that’s
a genre, right?
When you were in hiding under the fatwa, were
there particular books that you sought out or that helped you through?
Well, for obvious reasons, I did get hold of
the Enlightenment writers. Voltaire’s “Candide,” Diderot’s “Jacques the
Fatalist,” Rousseau’s “Confessions.” Also John Stuart Mill’s “On Liberty.” But
I also did a bit of book reviewing to keep my hand in. I remember liking Philip
Roth’s “The Facts” and not much liking Kurt Vonnegut’s “Hocus Pocus,” for which
he never forgave me, which saddened me because I admired so many of his other
books — “The Sirens of Titan,” “Cat’s Cradle” and of course
“Slaughterhouse-Five.”
What’s the last book that made you laugh?
P. G. Wodehouse’s “Code of the Woosters,” which
also contains the speech which Christopher Hitchens (and I) believed to be the
greatest anti-Nazi diatribe in English literature:
“The trouble with you, Spode, is that just
because you have succeeded in inducing a handful of half-wits to disfigure the
London scene by going about in black shorts, you think you’re someone. You hear
them shouting, ‘Heil, Spode!’ and you imagine it is the Voice of the People.
That is where you make your bloomer. What the Voice of the People is saying is:
‘Look at that frightful ass Spode swanking about in footer bags! Did you ever
in your puff see such a perfect perisher?’ ”
I should add that more or less everything by
Christopher Hitchens makes me laugh. The laughter is what I miss most about the
Hitch.
The last book that made you cry?
I don’t cry when I read, really, though I did
once cry while writing the death scene of a character I loved in “Shalimar the
Clown.”
The last book that made you furious?
Can’t think of one. I tend to avoid books that
I think might make me furious. (Good advice for people made furious by books,
some of whom I have encountered in the past.) Books by politicians are usually
annoying; Obama’s “Dreams From My Father” is a rare exception. I did once
accidentally see a book by Donald Trump in a bookstore and had to move away
quickly.
What are your favorite books about India, or by
Indian or Anglo-Indian writers?
“A Passage to India,” by E. M. Forster; “Clear
Light of Day,” by Anita Desai; “Maximum City,” by Suketu Mehta.
Who’s your favorite fictional hero or heroine?
Your favorite antihero or villain?
Hero: Mr Leopold Bloom who ate with relish the
inner organs of beasts and fowls. Although he’s an antihero too. A more heroic
hero . . . well, I was quite a Frodo fan back in the day, though Sam Gamgee was
probably the more heroic of the pair.
Villain: So few really good villains these
days. Dickens had several. Uriah Heep. Wackford Squeers. More recently, maybe
Joseph Heller’s Milo Minderbinder in “Catch-22.”
What kind of reader were you as a child? Your
favorite books and authors?
Every child in India in my day (and probably
still) was obsessed with P. G. Wodehouse and Agatha Christie. I read mountains
of books by both. I also liked “Swallows and Amazons,” by Arthur Ransome,
because I couldn’t believe how much freedom those English kids were given to
mess about in boats in the Lake District and have adventures, including
dangerous ones, entirely without adult supervision.
If you had to name one book that made you who you
are today, what would it be?
“The One Thousand and One Nights.”
If you could require the president to read one
book, what would it be?
“The One Thousand and One Nights.”
You’re hosting a literary dinner party. Which
three writers are invited?
Living: Auster, DeLillo, McEwan. Dead: Joyce,
Proust, Kafka.
Disappointing, overrated, just not good: What
book did you feel you were supposed to like, and didn’t? Do you remember the
last book you put down without finishing?
Supposed to like and didn’t: I always get in
trouble for saying this, but . . . “Middlemarch.”
Didn’t finish: “Go Set a Watchman.”
Whom would you want to write your life story?
Sorry, did that myself already.
Of the books you’ve written, which is your
favorite or the most personally meaningful to you?
The two I wrote for my sons, “Haroun and the
Sea of Stories” and “Luka and the Fire of Life.”
What books do you find yourself returning to
again and again?
Kafka, “The Metamorphosis”; Bellow, “The
Adventures of Augie March”; Borges, “Fictions”; Calvino, “The Baron in the
Trees”; Grass, “The Tin Drum”; García Márquez, “One Hundred Years of Solitude”;
Angela Carter, “The Bloody Chamber”; Christopher Logue, “War Music”; Derek
Walcott, “Omeros.”
What books are you embarrassed not to have read
yet?
I’m too old to be embarrassed by the many
lacunae in my reading. I really should try to improve my relationship with
“Middlemarch,” I guess.
What do you plan to read next?
It’s all rereading right now. More nonfiction.
Ryszard Kapuscinski’s “The Emperor,” Susan Orlean’s “The Orchid Thief,”
Katherine Boo’s “Behind the Beautiful Forevers.”
http://www.nytimes.com/2015/09/20/books/review/salman-rushdie-by-the-book.html
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